2012 Archive

  • This film flirts so closely with miserabilism that, after having seen the first two segments, I was prepared to out and out hate it. But then the movie seemed to […]

    It’s Such A Beautiful Day

    This film flirts so closely with miserabilism that, after having seen the first two segments, I was prepared to out and out hate it. But then the movie seemed to […]

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  • Disasterpeace composed the soundtrack to this year’s breakout horror film, It Follows.  His score honors the golden age of horror synth soundtracks by breathing fresh life into the sound (much […]

    Disasterpeace – Fez

    Disasterpeace composed the soundtrack to this year’s breakout horror film, It Follows.  His score honors the golden age of horror synth soundtracks by breathing fresh life into the sound (much […]

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  • Peter Jackson’s The Hobbit is three more hours (give or take) of Lord of the Rings filmmaking. Whatever that means to you, that is what you get. Beautiful landscapes, rousing […]

    The Hobbit: An Unexpected Journey

    Peter Jackson’s The Hobbit is three more hours (give or take) of Lord of the Rings filmmaking. Whatever that means to you, that is what you get. Beautiful landscapes, rousing […]

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  • Not a hair is out of place.  The pace drags, the key is low, and the fembot signifies doom – or, I guess, what it feels like to lude out […]

    Beach House – Bloom

    Not a hair is out of place.  The pace drags, the key is low, and the fembot signifies doom – or, I guess, what it feels like to lude out […]

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  • Pure cinema it is not, but this Lincoln is a sly one. As gripping as the back-room machinations of the 13th Amendment are (and they aren’t), Spielberg and Kushner have […]

    Lincoln

    Pure cinema it is not, but this Lincoln is a sly one. As gripping as the back-room machinations of the 13th Amendment are (and they aren’t), Spielberg and Kushner have […]

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  • Forget, for a moment, that it broke a studio – Michael Cimino’s Heaven’s Gate is a more responsible film than this one. Two L.A. operas, Magnolia and Boogie Nights, made […]

    The Master

    Forget, for a moment, that it broke a studio – Michael Cimino’s Heaven’s Gate is a more responsible film than this one. Two L.A. operas, Magnolia and Boogie Nights, made […]

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  • Why superheroes, and why now? The obvious answer involves film technology – previous to the CGI era, it was just too difficult to make superheroes plausible. What can be done […]

    The Dark Knight Rises

    Why superheroes, and why now? The obvious answer involves film technology – previous to the CGI era, it was just too difficult to make superheroes plausible. What can be done […]

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  • The Dark Knight Rises is, like Christopher Nolan’s other Batman films, a gutsy, imaginative crime drama that dines on dread. Ultimately, Nolan’s choices as a director leave viewers wanting more. […]

    The Dark Knight Rises

    The Dark Knight Rises is, like Christopher Nolan’s other Batman films, a gutsy, imaginative crime drama that dines on dread. Ultimately, Nolan’s choices as a director leave viewers wanting more. […]

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  • Prometheus = Alien + Blade Runner. The film asks three questions: Where do we come from? Where does the alien of Alien come from? Can the director, Ridley Scott, live […]

    Prometheus

    Prometheus = Alien + Blade Runner. The film asks three questions: Where do we come from? Where does the alien of Alien come from? Can the director, Ridley Scott, live […]

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